Wednesday, 31 May 2017

Fir, by Sharon Gosling

This book is a brilliant, YA combination of Stephen King's The Shining meets the terrifying, snowy, forest-gonna-get-you atmosphere of Until Dawn meets the houses have memories and will show you what they know of James Herbert's The Secret of Crickley Hall. But in Sweden, with a frosty side of conservation and Northern mythology thrown in too.

Firstly, the narrator of this book is just right up my street. Surly, un-affectionate, sarcastic- hello Swedish me. I don't think we ever find out the name of the narrator and once you've read this, you'll realise why that's significant and incidentally, super clever...

Anyway- the teen narrator and her parents move from their comfortable urban life in Stockholm to a remote tree plantation out in the far Northern wilderness of Sweden. Bought for a song from the previous owner when he abandoned the enterprise, Mom and Dad Stromberg are determined to make a fresh start in the lumber business. Their daughter is not exactly thrilled by the prospect and resents her parents for uprooting her. Right away, things aren't what they expect. For one there's an expedition of schoolkids out on a conservation trip with a woodsman named Tomas who warns the family off felling the old growth forest. Unmoved, the dad is determined to cut it down- this is a lumber plantation after all. Tomas takes the opportunity to take the Strombergs out into the Firs to show them the ancient woods and to attempt, in a vague, semi-supernatural fashion, to educate these townies about things that they don't understand. Unseasonable quantities of snow start to fall, cutting the Strombergs off from civilisation and forcing Tomas to cut the trip short, leaving the family with the creepy inherited housekeeper Dorothea.

Dorothea was amazing. Wizened, hunched, scuttling around like an omnipotent beetle, she is key to unlocking the plantation's secrets. Thoroughly unpleasant and filled with superstition, the narrator is constantly hindered and sabotaged by Dorothea as she turns detective, attempting to piece together the plantation's recent and more forgotten history- Polaroids in the desk drawers, ledgers in the study. They tell of accidents, fires, mysterious disappearances going back over the decades. Dorothea has been here through it all and must know what's out there.

I loved the atmosphere of the plantation and its surroundings, particularly the forest; it's one part sinister, one part magic and one part self-preservation- it feels like it has the right to protect itself. There is something fascinatingly primeval about old, old woodlands- who knows what forgotten things still linger there. The trees whisper to one another in between the chapters, demanding what is owed them, threatening and waiting. There are shadows in the forest and they are closing in.

I loved the family dynamics of the book- frayed somewhat by the upheaval from the beginning and going downhill from there. Shortly after the narrator starts to think she sees things, wolves, children, moving in the trees- resentment and tension continues to build between her and the parents that don't believe her. Is the isolation getting to them? Or is there really something supernatural in the snow? There's blood and footprints, teeth, claws and a gusty, windy song that seems to stir the branches. The dad tries to blindly continue with his plan, the mum gets more and more manic and deranged, talking to a ghostly boy. It all adds to the horror and unreality, all contributing to the atmosphere, constantly forcing the reader to decide what's real and what isn't. I bloody love an unreliable narrator and a shaky, is-this-the-real-life foundation of a supernatural or maybe not story.

The narrator's story closes with a grim discovery, a narrow escape and all the plantation's secrets exposed- the parents are satisfied that this is a mistake, they're going back to Stockholm and what a stupid idea this all was. But that's not where the book ends. The appendix blows the whole thing wide open- it's a glorious twist at the end that utterly chills the reader and leaves you demanding to know what happened. What happened in the hours after the narrator's story ended? What happened to Dorothea? WAS IT ALL REAL?? I am normally in two minds about open, mysterious endings like this, but Fir left me reeling.

A thoroughly satisfying, creepy, atmospheric chiller for readers that loved Say Her Name by Juno Dawson, haunted house narratives and anything involving obscure mythology and/or the oppressive darkness of the Scandinavian winter. I will definitely be seeking out more of Tiger Stripes' Red Eye chillers and cannot recommend this enough.

No comments:

Post a Comment